Posts Tagged Sasha

Day 17 – Ten Second Tornadoes on the Road to Samarkand

17mount.gif“The Road to Samarkand” and not a sign of Bing Crosby or Bob Hope (one of Paul’s jokes for the oldies on the web).

We set off early from Baysun and received a ‘right royal’ send off from the mayor and deputy mayor – they carry our luggage and grip our hands in gratitude for spending time with them and ask us to return. As the ‘Nomadmobile” heads off out of the town a morning light glances low over the Zerafshan ridge. The vertical landscape is dotted occasionally with Yurts, small ‘ten second tornadoes’ and herds of goats. We have to swerve precariously close to the edge of steep gorges narrowly avoiding various bovine animals.

17sign.gifOur driver, Bahadir who has just had his fifth grandchild, is fully in control. Gradually the heat rises and the hills disappear as we come out of the mountains. A big right turn at Karsi and we are on a fast, flat, perpetually straight road to Samarkand – the only interest being an occasional near vehicle crash either through potholed roads or badly misjudged overtaking. Eventually we near the outskirts of Samarkand and say good-bye to Sasha, he has to catch a bus to Tashkent. “Farewell comrades”, he says.

This trip has had its highs and lows, from the exhilaration of meeting wonderful musicians to the frustration of having no petrol. Through it all one figure seems almost unruffled by anything. Always patient, calm and considered, Sasha, our translator and advisor is a kind of centre of gravity, a point of stability for us. He has been on the road with us now for ten days so is used to our strange ways. He has acted far beyond the call of duty, and his understanding of Uzbek social graces has been invaluable . He always seems to be considering some “problem” (a word he likes to use) or reading a book (preferably in classical Persian). Suddenly something will amuse him and his bearded face will ignite with infectious laughter.

17sash.gif

Things work at their own pace here and Sasha understands this better than anyone. It’s easy to forget that this mild mannered man is an accomplished scholar, he wears his learning lightly and doesn’t need to impress anyone.

In one conversation with Sasha I caught a glimpse of the difficulty musicians here face trying to communicate with the outside world. Sasha gave the analogy of an Asian musician trying to describe Beethoven using his own musical terms of reference. Inevitably distortions would arise. This situation compares roughly with the efforts of some European scholars who come to Central Asia to research music. Sasha was at pains to point out that there were Europeans who understood this music better than some local scholars.This problem of unconscious Euro-centrism is something which musicians treat with indulgence here. Sasha kindly added that our project had a completely different brief, to introduce this music to a wide audience.

Patience and wisdom are rare qualities, Sasha possesses them in abundance.

17scrpt.gif

I arrive in Samarkand to find there is no room at the inn (again!). Samarkand only has two ‘bed and breakfasts’ and they’re full. I’m shunted off to a small courtyard with some abandoned bedrooms and parking space for the Nomadmobile. Gary is concerned that we have a clear line of site to the Indian Ocean – whatever that means. (Satellite?) I’m just happy to wash the dust off my feet.

17reg.gif

Samarkand is often described as the ‘Pearl of the East.’ The tall madrassahs supporting deep blue domes and the majesty of scale could produce a thousand descriptive superlatives. The city is, like Bukhara undergoing major refurbishment and soon celebrates its 1250th year. It also hosts a week long “Music of the East” Festival starting 25th August, this is one of the biggest events in the area for many years.

The Registan, one of the most celebrated monuments shows signs of preparation – tomorrow I will see it in the dawn light and get you some photos. When we arrive twenty traditional trumpet players rehearse their fanfare and stage positions for the opening ceremony – it reminds me of a Dad’s Army drill. The whole city has a sense of life and movement. Things are changing, fast. There is transition and excitement in the air, music and dance are commonplace on the street and in the specially designated tourist areas. I will explore this more in the next two days.17regs.gifEverywhere in the world, folk culture is presented as entertainment for “package tourists”. Samarkand is no exception. At 6 pm every evening local musicians and dancers re-enact an Uzbek legend with music, mime, puppetry and fire eating. It’s beautifully done and although stylized maintains a joyful innocence.

17musi.gifThe costumes are probably exaggerated, the music simplified, the legend made larger than life with roaring flame. Yet for all that bemused confused tourists get a taste of a wonderful culture. If they want to know more there are CDs and ‘Musical Nomads’. I was particularly impressed by the doira (frame drum) players with their intricate poly rhythms – I arranged to see them for a detailed session on Usul – the rhythmic patterns of Central Asia. The chang (oriental hammered dulcimer) player is also worth a closer listen.

Join me tomorrow as we explore the city and meet frame drum and other traditional Uzbek folk musicians – I may even get to meet my first Central Asian flautist

, , , , , , , , , , , , ,

1 Comment

Day 15 – Bukhara to Baysun, into the mountains at last

15shop.gifBefore setting off from Bukhara this morning, we called in at the workshop of an instrument maker, Karomat Mukimov. It was not long before we were surrounded by the master’s young apprentices and were being shown the intricacies of tuning tars. Karomat and Sasha had been at the Tashkent Conservatory together 23 years ago, so there was a mini reunion going on. Amongst the instruments in his shop was a tanbur from the nineteenth century, it had been lovingly restored by this master. It transpired that the tanbur had once belonged to Leviche Babakhanor, grandfather of Ari (a musician we met three days ago). This news came as something of a shock. Why would the family sell such a beautiful instrument? It was heavily inlaid and was quite obviously made for an important player. Sasha told us that Ari had referred to an instrument of Leviche’s which had been sold to a maker. This tanbur was an antique with historical value, having belonged to one of the last Bukharan court musicians. Here it was for sale. Admittedly not cheap, but we would have been free to take it abroad. It crossed our minds to buy it and give it back to Ari – where it belonged. The story went that one of Ari’s brothers had gone to live in Israel and had exchanged this instrument for an new one. It seemed sad to see it here but at least it was now restored and perhaps would end up in the hands of a player.

My thoughts now turned to a doira, a frame drum, that I had seen several days before, but had then seemed absurdly overpriced. Whether it was the effect of half an hour of conversation, or Sasha’s connection with the instrument maker, I’ll never know, but the price suddenly dropped by a third. We struck a deal and I walked away the proud owner of a high quality doira. Now all I have to do is persuade someone to show me a few tricks.

15van.gifThis project involves plenty of travelling around Central Asia. After all I am the ‘Musical Nomad’. Of course the truth of the matter is I am accompanied by a small, specialist team. Our ‘nomad horse’ for the last two weeks is a Volkswagen Caravelle, with enough seats for six people and five large flightcases.In Central Asia a driver is more than simply a driver, he constantly nurses and cleans the car, never leaves it and finds petrol in the most unlikely places. Our Uzbek driver Bahadir is a real character and devout individual. He is a stout man with a face half resembling Mel Brooks and a sleepy manner. We were amused watching Bahadir buying petrol. He would chase lorry drivers, hug and kiss them and spend hours in the back yard of strangers.

16bah.gifOur delicate computer, communications and audio/video equipment are at the mercy of his driving skills and we all too often have to tell him, through Sasha, to ‘slow down!’ This gets lost in the translation as within minutes we are once again careering through potholed hairpin bends. Bahadir also has an uncanny ability to forget things – only basic things such as which town we asked to stop in!. With all his faults though he has some key redeeming features – his devotion to his religion and his mild manner which conceals a strength alien to many in the West.

Yurts and oil wells line the improbable road to Baysun. A semi desert of stunted shrubs strectches to a hazy horizon. The mode of transport switches from dodgy trucks to lively donkeys, laden with unknown produce bound for market.

I15grp.gifn many Islamic countries you wield a camera at your peril. In Tunisia for example, even pointing a camera at a person is considered deeply offensive. I entered the lively market at Karsi full of trepidation. Everywhere the rich fruit colours of high summer beg for Kodachrome. Reds in apples and tomatoes, golden yellow pears, grapes, as black as night. In direct competition for photogenic appeal were the gorgeous Tajic clothes of the Uzbek women. I gestured to my camera with a thumbs up and a smile – smiles were returned. Suddenly I was the most popular guy in town – everybody wanted to be photographed and video’d. It gets better. The fruit sellers started to compete for my attention by paying me in fruit. I left the market laden with bags, totally bemused but thrilled. The generosity of these people had been such a surprising contrast.

15bays.gifIn the cities of the former Soviet Union the legacy of too many conquering Tzars and an autonomous state is a frozen fear still reflected in faces. Here in the country people further from the hub of beaurocracy seem to retain an earlier innocence. As we arrive in Baysun unannounced in the early evening, word spreads fast. Soon a whole greeting committee turn out to welcome us to this small town in the mountains famous for its music.

Tomorrow the ‘Bakshy of Baysun’.

, , , , , , , , , , , , , , , , , ,

No Comments